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Courtroom dramas, and damaged lives, vividly portrayed in Fort Worth Opera's new Voir Dire
FORT WORTH STAR-TELEGRAM
Journalist’s case notes get a musical score in Fort Worth Opera’s Voir Dire
Voir Dire - an interview with David Gately, director, Viswa Subbaraman, conductor and Christina Pecce, soprano
NPR's First Impressions: A Guide to New Music in the New Season mentioned the upcoming world-premiere production of Matthew Peterson and Jason Zencka's Voir Dire:
"The courtroom drama Voir Dire, adapted from true stories by composer Matthew Peterson and librettist Jason Zencka, receives its world premiere at Fort Worth Opera April 23."
Washington National Opera (WNO) today announced full programming details for the fifth season of the American Opera Initiative, its comprehensive commissioning program that brings contemporary American stories to the stage while fostering the talents of rising American composers and librettists. For the first time, all of the program's world premiere operas will be presented during an American Opera Initiative Festival weekend, January 13-15, 2017 in the Kennedy Center Family Theater. Three new pairings of opera composers and librettists- Frances Pollock and Vanessa Moody, Zach Redler and Jason Carlson, and Matthew Peterson and Emily Roller-will each offer new one-act operas, each based on a contemporary American story and inspired by the ideals often ascribed to President Kennedy as part of JFKC: A Centennial Celebration of President Kennedy. Two semi-staged concert performances of each opera will be presented on January 14, 2017. In addition, as previously announced, WNO will present the world premiere of a new hour-long work by composer Mohammed Fairouz and librettist Mohammed Hanif-The Dictator's Wife, based on Hanif's satirical play-on January 13 and 15, 2017.
"I'm excited to showcase four new American operas during our new festival weekend in January," said WNO Artistic Director Francesca Zambello. "I'm also proud that our commissioning program is a part of the Center-wide JFK centennial celebration this season. The creation of new opera-work that not only entertains but challenges and provokes new thoughts and ideas-is a fitting tribute to the legacy of President Kennedy and his inspirational ideals."
The three composer/librettist teams of the one-act operas will collaborate on their works with three distinguished mentors who have each enjoyed professional success with new American operas: composer John Musto (The Inspector, Later the Same Evening), librettist Gene Scheer (WNO's Moby-Dick, Cold Mountain), and conductor Steven Osgood (General and Artistic Director of Chautauqua Opera Company). The composer/librettist teams have been working with their mentors and advisors throughout the creative process, and a full collaborative workshop with all the composers, librettists, mentors, and cast members is scheduled for October 2016 in Washington.
"This season's American Opera Initiative Festival will bring a diverse and accomplished group of musical storytellers to Washington, and they all have personal and powerful tales to tell," said Michael Heaston, the departing program director of the American Opera Initiative and WNO's Domingo-Cafritz Young Artist Program. "For our gifted young artists, this is an incredible opportunity to see firsthand how new operas are created and to work directly with the composers and librettists, as well as our remarkable program mentors. Since most of the operatic canon is centuries old, this is a rare opportunity indeed. As we all look forward to the workshops in the fall, the program will continue to flourish under the new leadership of Robert Ainsley, who will see this cycle of exciting new works to completion."
New one-act operas expand the American repertory
The three original one-act operas presented in two semi-staged concert performances on January 14, 2017 will each highlight a different aspect of American life and culture, and each has been inspired and informed by the ideals often ascribed to President Kennedy. These new works will be accompanied by a chamber orchestra conducted by Steven Osgood and will be performed in English. Following each performance there will be a Q&A session with the artists and creative team. Full casting for the three one-act operas, featuring members of WNO's Domingo-Cafritz Young.
Music by Matthew Peterson
Libretto by Emily Roller
Three refugees are stranded in an inflatable lifeboat out in the open ocean; they are the sole survivors of a shipwreck. After three days, tensions erupt between the strangers, who each fled the same conflict for different reasons. As their pasts are revealed, cooperation-and survival-seem unlikely. Lifeboat explores and challenges the ideals of courage, social justice, and service; can these ideals overcome major divides between people of different backgrounds and experiences? Can we all live in the same boat? A JFKC Commission.
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Fort Worth Business News
Fort Worth Opera to stage Voir Dire in 2017 Frontiers Festival
Fort Worth Opera (FWOpera) revealed today the names of the eight composer and librettist teams from the Americas whose works have been selected for participation in the second season of the company’s critically-acclaimed, annual new works program, Frontiers, taking place May 8 – 9, 2014, during the last week of the 2014 Opera Festival. These eight selected works will be presented in the intimate theater-in-the round style setting of the McDavid Studio across from Bass Hall in downtown Fort Worth. The 20-minute excerpts, sung by artists from the 2014 Fort Worth Opera Festival with piano accompaniment, will be offered in two separate showcases of four works each on Thursday, May 8, 2014 at 6:00 – 8:00 pm, and Friday, May 9, 2014 at 3:00 – 5:00 pm.
Building on the success and popularity of the last year’s inaugural season, Frontiers has been expanded with the goal of seeking out works for future production in FWOpera's alternative venue series Opera Unbound. The program includes a distinguished panel of collaborative partners who will play a critical role in the long-term development of the Frontiers works beyond the Festival showcase. (Panel members listed below).
In announcing the selected works, Fort Worth Opera General Director Darren K. Woods, chair of the Frontiers panel, stated, “Frontiers has evolved in just one year to more of a developmental program than last season. Of the eight selections, there are some which are completed and ready to find a home with an opera company, while others are just at the beginning of the compositional process. By expanding the program and collaborating with people who specialize in the development of new pieces, we are able to move these works along a dedicated road to, hopefully, a full production somewhere.”
FWOpera Producing Director and Frontiers Curator Kurt Howard, commented on the newly expanded program, saying, “Our 2013 Showcase taught us all a lot about the lack of community among America's upcoming composers and librettists, and we have increased our efforts to help that community connect to each other and to our audiences. The works that are being presented in 2014 are a broader range of works in progress, from composers looking for guidance in the craft to teams that are ready to have their works presented to the public. We have also brought more of our colleagues within the industry to join us in the process and further open doors for these creative teams.”
The eight operas selected for the 2014 showcase were culled from 30 submissions, including two from Canada and one from Mexico, FWO says. They are:
• Fertile Ground, by composer David Vayo and librettist Nancy Steele Brokaw
• Precari, by composer Brent Straughan
• Something to Live For, by Ronnie Reshef
• Voir Dire, by Matthew Peterson and Jason Zencka
• Safe Word, by composer Robert Paterson and librettist David Cote.
• Alex in Transition, by Anthony Green
• Rosencrantz and Guildenstern Are Dead, by Grammy-winning composer and librettist Herschel Garfein